摘要
ThispaperexaminestheconstructionofidentityinHugue＇sbrothersmovie,TheBookofElisettinginanAmericapost-apocalypticworlddestroyedbynuclearwarandenvironmentaldisasters.Economicrelationsinthisworldwithouttimeorhistoryandwithoutproductionofgoodsandcommodities,arebasedonancientpracticessuchasbarter.Thegoodsareexchangedforgoodsaccordingtotheneedandthecurrencylostitsmeaningbeforethesupremeusefulness.Essentialitemstohumanlifelikewaternowhaveaveryhighvalueduetoitscompletescarcity.Eli（playedbyDenzelWashington）touredtheUnitedStatesfor30yearswestwardcirclingthewastelandleadingtheonlyexistingcopyoftheKingJamesversionoftheBible.Thenhereachesthetown,whichisunderthecontrolofCarnegie,thevillain,whoseambitionistohavetheholyBibleinordertoexercisepower.Inthisworldfullofshortages,powerbelongstotheoldthathasthememoryofthepast.TextsofGiddens,Beck,Lash,Benveniste,andMarxcomposethetheoreticalapparatusthatallowunderstandinghowtoreconstructtheidentityinaworldincrisis,andnoshortageofcompletestorywithoutmemorycardwiththemovementofgoodsexcludingcurrency.
出版日期
2014年08月18日（中国期刊网平台首次上网日期，不代表论文的发表时间）
