21. Rex Weiner, "China Opens Its Doors to Sundance Fest," Variety, October 9-15, 1995, 13, 16; Rex Weiner, "Sundance Festival Takes Show on the Silk Road: Chinese Independents," Variety, October 16-22,1995,24.
22.对于20世纪末中国的后现代文化特征的探讨,见拙著 "Postmodernity, Popular Culture, and the Intellectual: A Report on Post-Tiananmen China," boundary 2 23, no. 2(1996):139-169; "Art, Culture, and Cultural Criticism in Post-New China," New Literary History 28, no. 1 (1997): 111-133; "Global POSTmodernIZATION: The Intellectual, the Artist, and China’s Condition," boundary 2 24, no. 3 (1997).
23.见王宁:《略论中国当代电影的两难及处境》,《电影艺术》1996年第6期,4-7页。
24.近来关于民族国际电影、民族国家、跨国主义问题的讨论,见专集 "Mediating the National," Quarterly Review of Film and Video 14, no. 3 (1993); Katherine Verdery, "Beyond the Nation in Eastern Europe," Social Text 38(spring 1994): 1-19.
25. 为了迎合西方观众,第五代电影在一定程度上采用了自我猎奇与自我色情化的方法。这种方法已获得一些成功,例如《霸王别姬》,但也出现山穷水尽的迹象。陈凯歌的《风月》在1996年的戛纳电影节上受到冷落就是一例。它的制片人徐枫对这部影片的投资远甚于《霸王别姬》。尽管有像巩俐、张国荣这样的明星加盟,但人们却对此片反应不佳。关于东方的两性的故事(这次是乱伦)在戛纳已不再受到西方观众的关注。从早期的自恋、精英分子的实验作品到极力追求商业成功与制造耸人听闻的景观--这样的转变造成陈凯歌艺术的悲剧。
26. 见 Homi K. Bhabha, The Location of Culture (London: Routledge, 1994).
27. Jameson, "Remapping Taipei," 148.
28. Jameson, "Remapping Taipei," 148.
29.见《虎门一日:〈鸦片战争〉摄制组拍摄纪实》,《中国银幕》 (1996年7-8月); Patrick E. Tyler, "In China, Letting a Hundred Films Wither," New York Times, December 1, 1996, H1, H26.
30.对于这一方面的讨论,见梁秉钧(Ping-kwan Leung):《民族电影与香港文化身份:从〈霸王别姬〉、〈棋王〉、〈阮玲玉〉看文化定位》,《今天》,第26期 (1994年秋季卷): 193-204页。
31.关于香港动作片的专著,见Bey Logan, Hong Kong Action Cinema (London: Titan Books, 1995).
32.引自 R. J. Smith, "The Coolest Actor in the World," Los Angeles Times, March 12, 1995.
33.见Hayden White, "Historiography and Historiophoty," American Historical Review 93, no. 5(1988): 1193-1199.
34.廖秉辉:《时空与性别的错乱:论〈霸王别姬〉》,《中外文学》22卷, 第1期(1993年),第6-18页。
35. Tu Wei-ming(杜维明), "Cultural China: The Periphery as the Center," Daedalus 120, no. 2(1991): 1-32.有关杜维明的观点与中国电影文化的关系的论述,见 W. A. Callahan, "Gender, Ideology, Nation: Ju Dou in the Cultural Politics of China," East-West Film Journal 7, no. 1(1993):52-80.